- This event has passed.
In Post-Columbian Futurism, one of their largest and most ambitious projects to date, brothers Jamex and Einar De La Torre (b.1960 & 1963, Guadalajara; live and work in San Diego/Baja California) transform the ICA’s Central campus into the site of an epic battle for the future of humankind. Through a fusion of Mexican, American, and Indigenous cultural iconographies, the De La Torre brothers engage with our seasonal theme “Limitless Growth, Limited World,” by relaying a cautionary tale about the dangers of overconsumption in all its forms. Post-Columbian Futurism imagines a battle between the Aztec gods Coatlicue, who represents Mother Earth, and Mictlantecuhtli, the god of the dead. In the brothers’ current conceptualization, Coatlicue morphs into “Coatzilla,” a savage creature wreaking destructive havoc on urban infrastructure, while the transformed “Miclantiputin” continually releases new traffic-filled highways in entrail-like ribbons that spill from his rib cage. We humans are caught in the middle…or perhaps we’re on both sides? Much like the brothers’ lenticular paintings, which reveal different images depending on the viewing angle, the resolution of this conflict may depend on one’s perspective.
Post-Columbian Futurism includes newly commissioned work to fill over 6,000 square feet of exhibition space.Two massive lenticular paintings of the gods will confront each other in the gallery, surrounded by a series of projections, floor coverings, and related glass sculpture. “Colonial Atmosphere” (2002), an installation of a lunar lander in the shape of a massive stone Olmec head, will anchor the space, inviting us to consider how far we are willing to go, and how long we are willing to fight, for the juggernaut of humanity.