Museum of Photographic Art

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.

Video Portraits blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Robert Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film, and contemporary culture By incorporating a multitude of creative elements; lighting, costume, makeup, choreography, gesture, text, voice, set design, and narrative – video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.

Julia Margaret Cameron (1815-1879) is one of the most innovative and influential photographers of all time. She pioneered the close-up and took photographs deliberately out of focus because she found them more beautiful that way. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection from a pioneering portraitist criticized in her own time but now admired for her innovative and unconventional techniques.